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theasc.com > articles > a-streetcar-named-desire-cinematography-stradling

Inside the Production of 'A Streetcar Named Desire'

20+ min ago  (374+ words) Uninhibited Camera for A Streetcar Named Desire Harry Stradling establishes a new high in cinematic artistry with his imaginative camera treatment of A Streetcar Named Desire. Fluid camera (as thought of in terms of boom, dolly and tracking shots) was…...

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theasc.com > articles > elation-canada-opens-doors

Elation Canada Opens Doors

5+ hour, 32+ min ago  (135+ words) Elation Canada Opens Doors The company has also announced the KL Fresnel IP Series. Elation Lighting has opened Elation Canada, offering its Canadian customers a growing nationwide service network and a physical presence that includes warehousing and a Toronto-based showroom…...

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theasc.com > articles > manfrotto-announces-one-nbsp-photo

Manfrotto Announces One Photo

3+ day, 5+ hour ago  (41+ words) Manfrotto Announces One Photo'The American Society of Cinematographers Follow Manfrotto on Facebook and Instagram. Keep up with American Cinematographer on Facebook and Instagram. Act now to receive 12 issues of the award-winning AC magazine " the world's finest cinematography resource....

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theasc.com > news > in-memoriam-james-pergola-asc

In Memoriam — James Pergola, ASC (1932-2026)

1+ week, 18+ hour ago  (333+ words) In Memoriam " James Pergola, ASC (1932-2026)The American Society of Cinematographers When Pergola was born, on Nov. 1, 1932, he already had family in the trade " his father, James V. Pergola, had started working in the camera department at Famous Players Film Co. at…...

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theasc.com > news > april-2026-issue-american-cinematographer

Inside the April 2026 Issue of American Cinematographer

1+ week, 2+ day ago  (337+ words) Inside the April 2026 Issue of American Cinematographer The April 2026 issue of American Cinematographer presents coverage of Project Hail Mary; Good Luck, Have Fun, Don't Die; The Bride!; Wuthering Heights; and Amrum " as well as a report on a recent performance-capture…...

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theasc.com > articles > the-burbs-cinematography-dream-sequence

'The 'Burbs': Where the Dream Sequence Becomes a Nightmare

1+ week, 3+ day ago  (222+ words) The 'Burbs: Where the Dream Sequence Becomes a Nightmare Cinematographer Jonathan Furmanski breaks down the Steadicam work, cul-de-sac lighting, and homage to The Exorcist that fueled the reboot series' darker, scarier tone. In December 2024, I received a call about a…...

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theasc.com > articles > limecraft-unveils-2026-2

Limecraft Unveils 2026.2

2+ week, 2+ day ago  (169+ words) Limecraft Unveils 2026.2The American Society of Cinematographers The AI-powered production platform Limecraft has released Limecraft 2026.2, introducing targeted improvements that further reduce manual effort in editorial and postproduction workflows. With the update, AAF export becomes fully template-based, allowing users to define, manage…...

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theasc.com > news > durald-arkapaw-wins-cinematography-oscar

Autumn Durald Arkapaw, ASC Wins Best Cinematography Oscar

2+ week, 4+ day ago  (126+ words) Autumn Durald Arkapaw, ASC Wins Best Cinematography Oscar for Sinners The cinematographer is the first woman of color to be nominated, and the first woman to win, in this category. Autumn Durald Arkapaw, ASC cinematographer of Sinners, was announced as…...

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theasc.com > articles > how-to-get-to-heaven-from-belfast-cinematography

'How to Get to Heaven From Belfast': Opening on a Mystery

2+ week, 6+ day ago  (156+ words) How to Get to Heaven From Belfast: Setting the Series' Tone From Frame One A cinematographer on the comedic-thriller series shares how she designed Episode 1's first sequence "to serve as the viewer's invitation to the mystery." We wanted the…...

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theasc.com > articles > the-bride-maggie-gyllenhaal-interview

Maggie Gyllenhaal on the Mad Science of 'The Bride!'

3+ week, 3+ day ago  (202+ words) Maggie Gyllenhaal on the Mad Science of The Bride! The director of the Gothic romance shares her inspirations for key scenes, and details her collaboration with cinematographer Lawrence Sher, ASC. American Cinematographer: This film is very different from The Lost…...